This was my fifth year teaching Music and Movement in Youth in Arts’ VSA program, and I was lucky enough to be assigned to four classes this year, Linda Breakstone/Stacey Hall, Rockne Beeman, Corrie Johnson and Jessica Leaper. We had a wonderful time singing, dancing and playing.
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Hannah Dworkin
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Four Classes, Five Teachers and a Huge Range of Abilities
Wednesday, July 18th, 2012Listen!
Tuesday, June 26th, 2012Listen!
Modern educational literature is rife with references to the importance of listening to students and facilitating the development of the individual “voice.” But what if the your students are non-verbal or having an extremely limited vocabulary? It is easy to assume that since they do not speak that they are not communicating, when, in fact, they are simply using a different modality. The following article outlines some tips for better understanding what special needs students are saying.
- Find the hidden messages in “behaviors” or “breakdowns”
Those of us that work with special needs students are very familiar with behaviors or breakdowns. Initially the crying, repetitive gestures and outbursts from these students may seem random, but they rarely are. These students have no way of saying “I don’t like this song,” or “The volume is too high.” Ask yourself:
What activity preceded the outburst?
Has this happened before?
What did you or the classroom staff do that calmed the student?
When does this student seem most content?
Sometimes there are even messages in the sounds and words said while in the midst of a tantrum. One of my students “J” threw a tantrum in one of my classes, and after close listening, I realized that he was yelling, “e-i-e-i-o.” He wanted to sing Old MacDonald but didn’t have the vocabulary to express it. So we sang Old MacDonald and he was immediately calmed.
“Read” Your Audience
A great many skills we develop as performers are transferable to teaching special needs students. One such skill is being able to “read” your audience. After a while we instinctively know when to slow down, speed up or drop a section completely. The same goes for working with students.
If you find your students engaged in a song, repeat it. This populations thrives on repetition, and those with language processing delays will have an opportunity to learn your material. On the other hand, if the class is losing focus or individuals are starting to show behaviors, find a quick stopping place and move on. It takes patience and flexibility to work with special needs kids, and sometimes no matter how wonderful your lesson plan is, you may have to make a quick change.
Your Greatest Resource: the Classroom Teacher
The special day class teachers are an amazing group of individuals who know their students extremely well. Ask them for advice and listen to them when they make suggestions.
Making Music at Marindale
Tuesday, July 19th, 2011YIA Mentor Artist Hannah Dworkin spent 10 weeks working with students of differed abilities at Marindale School, a campus that serves pre-school age students with Special Needs, providing them with necessary services including physical and occupational therapy.
Hannah worked for 10 weeks multiple teachers: Laura Becker, Susan Wilkinson, Collette Macowan and Carla Echevarria.
An example of Hannah’s work is how she worked in Collette Macgowen’s speech-delayed class, teaching language development through music. The classes followed a distinct agenda with visuals to accompany a variety of activities:
The “Goodmorning” song in which each student was greeted by the class, emphasizing good eye contact, interpersonal skills and welcoming facial expressions. The chorus was danced and the movements were selected through the use of a “choice board.
Students also learned multi-syllabic food-related words that were associated with musical notation. For example, group of four sixteenth notes were chanted as “pepperoni” and two eighth notes were chanted as “pizza.” This activity helped students to pronounce difficult sounds, increased musicianship levels and helped to coordinate sounds and body movements.
Chilren enjoyed singing songs and moving throughout the classroom, often learning traditional folk songs from various cultures such as “Fly Little Bluebird” and “Martarile.” Students used a variety of manipulatives and musical instruments for these songs such as scarves, drums and shakers.
The classes were concluded with a sung penny game that developed visual tracking and predictions skills and a goodbye song helping to transition students back to their other activities.
During culminating events teachers invited peers from other classrooms to share an afternoon of music, dance and playing with scarves. The celebrations began with singing “Hello” to each student which was followed by interactive songs designed to develop social skills as well as hand eye coordination. The students’ favorite part of the afternoon was playing and dancing with scarves.
Hannah and the teachers she worked with found the residencies to be very successful in that each student participated to the extent that his/her abilities allowed. The biggest challenge was adapting music/movement classes to the varying abilities of the students. Some students were verbal and mobile, others were mobile and non verbal and others were limited in their movement and language.
We met this challenge by partnering students able to perform tasks well with those who were more challenged as well as strategic help from the class’ amazing educators. Hannah and Youth in Arts look forward to serving these amazing teachers and students again next year!
Dancing to the Monkeys
Wednesday, June 22nd, 2011Students from Barbara Royanne‘s Special Day Class at San Jose Middle Mchool presented a very successful talent show as the culmination of their 20 weeks working with Mentor Artist Hannah Dworkin. The day began with a demonstration of reading rhymes to the upbeat , silly song Big, Pig, Fig. Then the students demonstrated the amazing progress they made over the year in their physical education classes through pushups and jumping jacks.
Finally, it was Youth in Arts’ turn. The students choreographed two dances. They began with a dance performed to the Monkey’s I’m a Believer, and once all students were in place all students regardless of ability level participated in a dance choreographed to Kool n’ the Gang’s Celebration.
YIA Mentor Artist Hannah Dworkin chose music that the students were familiar with and enthusiastic about. Students manipulated engaging and colorful props including beatiful scarves that danced around the room.
Thank you to all of the Para Educators and teachers who took an active roll and helped by following up with activities during the week! All involved in this project felt it was a huge success. Thank you to Youth in Arts for providing the funding and opportunities for these children and teachers!
Accessibility, Awareness and Success!
Wednesday, June 22nd, 2011
As we have for many years, Youth in Arts obtained funding to provide Visual and Performing arts residencies in 30 Special Day Classrooms.
YIA Mentor Artists worked diligently to provide high quality, adapted arts lessons to hundreds of students with differed abilities, and to share their work with their family and main-stream piers.
For example, YIA Mentor Artist Hannah Dworkin celebrated the culmination of her 10 week music & movement residency with Rockne Beeman’s class of special needs elementary students with students from a general education class at their school. Some students from Mr. Beeman’s class were able to take leadership roles, helping their piers through the movements. This was not only helpful, but those students were delighted and empowered by their ability to lead.
The feedback from teachers is overwhealmingly positive, and YIA Mentor Artists received the highest marks for their expertise in adaptive lessons, allowing each student to partipate to the best of their ability and to feel successful.
“Suzanne engaged my students and brough in art activities that were right at their level and really interesting for each of complicated little guys. They all enjoyed their time with her. A big huge thank you to YIA for enhancing our curriculum and the lives of these vulnerable kids.”
SDC Teacher, Marindale School
We look forward to serving these students and teachers again next year. Please click on the yellow donate button to help support and save programs like these!
Vision, Strength, Accessibility!
Monday, October 11th, 2010As YIA Mentor Artist Hanna Dworkin pulls out her activity board, five young children
eagerly gather with their teachers for singing time. Hannah cheerfully begins to review the class agenda which includes a Good Morning Song, games and a song about Pepperoni Pizza. Now, you might ask, “what do games and pepperoni pizza have to do with singing?”
Today, Hannah is working with students in a preschool setting who have a variety of developmental delays. Hannah’s classroom activities are intended to teach musical skills while encouraging developmental growth in areas such as fine and gross motor skills, phonemic awareness, language acquisition and self esteem.
At Youth in Arts we believe that high quality arts education should be available to all people of all abilities. We work hard to subsize this programming so that it is available to Special Day Classes in Marin County who could not afford it otherwise. Every child deserves the opportunity to exlpore the world through a creative lense and express themselves in ways that are unique.
You can watch a short video of one of Hannah’s classes from Spring 2010, here.
for more information about bringing an artist to you Special Day Class, click here.










