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Cave Dwelling Artists at Marinwood Summer Camp

Sunday, July 15th, 2012

Mentor Artist Suzanne Joyal joined Marinwood camper artists again for another Thursday full of art-making. This time, we focused on early cave dwellers, and asked the questions: What would an early Cave Dweller Paint? What would they use for tools? and How would they make their own Paint?

We created our own small caves as we searched for the answers to these questions. Artists used paints made from food (tea, coffee, and cherries), and from the earth (ochre, sienne, charcoal, and gold). Our tools were simple: sticks, flowers, feathers, and our hands. And we made pictures of what we SEE and what an early cave dweller would see (animals, plants, friends and family).
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How do we “See” visual arts?

Friday, June 24th, 2011

Mentor Artist Suzanne Joyal worked with children in Jay’s and Laura’s pre-k classes at Marindale this Spring. Following are her perspectives on the many ways the students experienced the visual arts:

Clara: "Can I make a rubber stamp "squeak" and also bang it like a drum?"

Clara loved to do all kinds of art: drawing painting, stamping, gluing, and squeezing clay. But her greatest joy was discovering the many different ways her materials could make noise! Each time I visited I would bring foil, or bubble wrap, or “crunchy” paper so that Clara could experience paint and color and sound in her art-making process.

Christopher contributing to the Class Project

Christopher was tentative with new experiences, but with a gentle touch and lots of encouragement, he was able to hold a paintbrush and draw with special soft crayons. With his new glasses on, he was able to see his plain white canvas come to life.

Marquise squeezing and rolling clay

Marquise has limited sight and could only see light and shadow from one corner of one eye, and loved working with Model Magic. When it was placed in front of him on a black board, he was able to find it no matter where it was placed, and loved to squeeze and pull and roll the soft, pliable clay. He also loved the “crunchy” shiny wrapper that the clay came in.

Paula drawing circles in yellow

The energy level was alive and exciting in Jay’s classroom, and I was able to work with the students in pairs. We learned to take one pastel at a time, to share with our friends, to wait for our turn, to be careful and respectful of our art materials, and to use these valuable skills to explore art-making in myriad ways.

Lindsey choosing one color at a time

Again, the students were open to any new experience, and were able to paint on mat board, foil, and plastic, to draw circles and lines with crayons, pastels, and even window-painting crayons. We explored textures with collages full of shiny bits, sand paper, soft fur, and much more.

Mixed Media: Model Magic on board with markers, paint, and glue

With Model Magic, we squeezed and pulled and rolled, and even poked it with markers to turn it new colors. The students taught me a whole new use for Model Magic when they squashed it onto their mat boards (it stuck there), and then proceeded to draw and paint and glue right on top of it. It was a truly multi-media process with beautiful results.

The classroom teacher, Laura Becker, had this to say about their time with Suzanne:

We are so excited to have Suzanne with us. We have students who are at times difficult to read, but Suzanne has gotten to know each child individually and has brought material that will excite and motivate each one of my students. I am so grateful that she has taken the time to know each one. Her projects allow each of them to express themselves and their abilities. It has been a real joy. She is very gifted.

What is a teaching artist?…..

Tuesday, April 26th, 2011

This year in the Sausalito Marin City School District the arts specialists have been thinking about their roles, and what their goals are in the classroom.

Below are some important connections the teaching artists in the District are nurturing in the classrooms:

1. Artists make spontaneous and deliberate (planned out) decisions.
2. Artists learn and develop their work by addressing challenges as they arise.
3. Artists develop works of art through meaningful experiences with materials.
4. Artists thrive in a community that accepts risks and values multiple approaches.
5. Artists work responsively, not necessarily efficiently, often working on a project over a long period of time.
6. Artists use ideas as material.
7. Artists look at art and listen to music.

Reflection is an important time to look, learn, and discuss

Crafting strong Essential Questions is important to the teaching practice

Students are given t i m e to explore & experiment with materials

Creating an environment of wonderment is key

Exploring the Self through Materials

Monday, January 24th, 2011

Making art is a physical venture.

Materials are arranged and rearranged.

Ideas are explored and edited.

One can stand. One can sit. One can work on the wall.

Enter into any visual arts lesson, and students are approaching the processes at hand in many different ways.

Below is a lesson with Ms. Brooke in a K class.

Students looked at the work of Elizabeth Murray, and they were creating their own shapes. They then created patterns within the shapes using oil pastels.

http://www.pbs.org/art21/artists/murray/

At the end of the session, students were invited to build a community shape with their shapes.

The physical interaction with everyones’ shapes was exciting.

In the reflection the students talked about what they noticed.

“I see an L shape.”

“I like the colors that artist used.”

“I notice all different kinds of lines.”

“I like how all the shapes touch and make new shapes.”

___________________

In another class, a 4th grade class, students are working with charcoal.

There are many choices when working with charcoal, and the 4th grade students were given exploration time to discover how they wanted to approach the material.

The students are  looking at California landscapes as inspiration.

Do I want rich dark blacks? How can I get them?

Do I want to smudge areas and create grey tones? What tool can I use to achieve that effect?

Do I like how the charcoal feels on the paper?

Do I prefer to sit or stand while I make my work?

As the young artists worked with the materiality of charcoal, the made many discoveries about themselves.

Learning Arts Community : Teachers Teaching Teachers

Sunday, October 3rd, 2010

In the Sausalito Marin City School District we are flying into our second year of the Arts Demonstration grant, generously funded by the Marin Community Foundation. The SMCSD community recognizes that Professional Development is vital for supporting the arts and developing strong integration practices. Some goals we have are:

  • Teachers in the SMCSD are provided with consistent professional development sessions that encourage and inspire team building.
  • Through professional development sessions, teacher leaders will be distinguished, and they will be vital resources and advocates for the arts.
  • By the end of the 2010-2011 school year, teachers will be implementing aspects of the professional development meetings into their daily teaching practices.
  • Through the professional development sessions, teachers will be exposed to multiple approaches to teaching and learning art.  Teachers will also learn about different arts education pedagogy, and ways of engaging students in the curriculum through arts integration.
  • Through the professional development sessions, teachers will begin to recognize the vitality and importance of the arts supporting all areas of the curriculum.
  • Through the professional development sessions, teachers will build a stronger sense of community; sharing best practices, brainstorming with one another, and developing unified relationships and partnerships.

Last week was the first Middle School PD. These teachers from MLK and Willow Creek meet on the 4th Wednesday of every month to explore, share, collaborate, and develop ideas.

Mr. K-Dub opened up his studio space for us, and the collective looked at an article about the 8 Studio Habits of Mind, the teachers experimented with drawing materials (charcoal, Sharpie, graphite, and colored pencils), and then K-Dub led the teachers through a value lesson that he has been working on with his 6th, 7th, and 8th grade students.

Building Community: K/1 Parents and Children Making Art Together

Wednesday, September 29th, 2010

“A community is like a ship; everyone ought to be prepared to take the helm.”

- Henrik Ibsen

On Tuesday, September 28th, K/1 families from Bayside and Willow Creek schools gathered for a night of art making, sharing, collaborating, and reflecting.

The arts are a powerful way to cultivate relationships through creativity and collaborative endeavors. The Arts Specialists in the Sausalito Marin City School District are hoping to organize many arts workshops this year that encourage parents and children to feel proud of their school and school environment. These kinds of workshops are vital in bringing together community voice, and different approaches to seeing and making.

As families entered into the multi-purpose room they were welcomed by the question of:What is a Chair? And many images of chairs marched along the walls as inspiration for the evening. And families were asked to write down their definitions.

Dinner was prepared by the gardening intern, * Kelly Browning. There are gardens on all of the school campuses, and the tomatoes, onions, and zucchinis that were in the pasta sauces all came from these gardens. It was a beautiful feast, and a great time for families to sit and talk, and get to know one another.

* The gardening program is funded by a Milagro Foundation grant, and Growing Great is the organization that has been working with the K-8 students to create bountiful gardens. The program also is initiating a nutrition program into the school curriculum.

www.growinggreat.org

After dinner the art making began. Visual Arts Specialists Brooke Toczylowski and Ascha Drake first led the families through an exploration of line, shape, composition, edges, layering, and 2-dimensional vs 3-dimensional. We talked about how this was a “warm-up” and often artists need to warm up before embarking on a bigger project.

There was a steady “buzz” in the room as families transformed, tore, cut, envisioned, folded, and collaborated.

Each family was then given a brown paper bag filled with materials ranging from pipe cleaners to tin foil. The challenge was to create a collaborative chair that somehow visualized a family value, or a cultural connection. The chair could be 2-D or 3-D. The multi-purpose room was transformed into a studio space as people worked with all kinds of materials.

We then shared our creations as a group, recognizing the many different ways to make a work of art.

What do you want to do now?      ”I want to do more art making as a family at home.”

What did you learn? “We learned to let art be art.”

What inspired you? “Simplicity.”